Version 2 → 3
| 1 | At last the kids are gone now for the day | 1 | At last the kids are gone now for the day |
|---|---|---|---|
| 2 | She reaches for the coffee as the school bus pulls away | 2 | She reaches for the coffee as the school bus pulls away |
| 3 | Another day to tend the hous and plan | 3 | Another day to tend the hous and plan |
| 4 | For Friday at the Legion when she’s dancing with her man | 4 | For Friday at the Legion when she’s dancing with her man |
| 5 | 5 | ||
| 6 | Sure was a bitter winter but Friday will be fine | 6 | Sure was a bitter winter but Friday will be fine |
| 7 | And maybe last year’s Easter dress will serve her one more time | 7 | And maybe last year’s Easter dress will serve her one more time |
| 8 | She’d pass for twenty-nine but for her eyes | 8 | She’d pass for twenty-nine but for her eyes |
| 9 | But winter lines are telling wicked lies | 9 | But winter lines are telling wicked lies |
| 10 | 10 | ||
| 11 | All lies | 11 | All lies |
| 12 | All those lines are telling wicked lies | 12 | All those lines are telling wicked lies |
| 13 | Lies all lies | 13 | Lies all lies |
| 14 | Too many lines there in that face | 14 | Too many lines there in that face |
| 15 | Too many to erase or disguise | 15 | Too many to erase or disguise |
| 16 | They must be telling lies | 16 | They must be telling lies |
| 17 | 17 | ||
| 18 | Is this the face that won for her the man | 18 | Is this the face that won for her the man |
| 19 | Whose amazed and clumsy fingers put that ring upon her hand? | 19 | Whose amazed and clumsy fingers put that ring upon her hand? |
| 20 | No need to search that mirror for the years | 20 | No need to search that mirror for the years |
| 21 | The menace in their message shouts across the blur of tears | 21 | The menace in their message shouts across the blur of tears |
| 22 | 22 | ||
| 23 | So this is Beauty’s finish like Rodin’s “Belle Heauimiere” | 23 | So this is Beauty’s finish like Rodin’s “Belle Heauimiere” |
| 24 | The pretty maiden trapped inside the ranch wife’s toil and care | 24 | The pretty maiden trapped inside the ranch wife’s toil and care |
| 25 | Well, after seven kids, that’s no surprise | 25 | Well, after seven kids, that’s no surprise |
| 26 | But why cannot her mirror tell her lies | 26 | But why cannot her mirror tell her lies |
| 27 | 27 | ||
| 28 | All lies | 28 | All lies |
| 29 | All those lines are telling wicked lies | 29 | All those lines are telling wicked lies |
| 30 | Lies all lies | 30 | Lies all lies |
| 31 | Too many lines there in that face | 31 | Too many lines there in that face |
| 32 | Too many to erase or disguise | 32 | Too many to erase or disguise |
| 33 | They must be telling lies | 33 | They must be telling lies |
| 34 | 34 | ||
| 35 | Then she shakes off the bitter web she wove | 35 | Then she shakes off the bitter web she wove |
| 36 | And turns to set the mirror, gently, face down by the stove | 36 | And turns to set the mirror, gently, face down by the stove |
| 37 | She gathers up her apron in her hand | 37 | She gathers up her apron in her hand |
| 38 | Pours a cup of coffee, drips Carnation from the can | 38 | Pours a cup of coffee, drips Carnation from the can |
| 39 | 39 | ||
| 40 | And thinks ahead to Friday, ’cause Friday will be fine | 40 | And thinks ahead to Friday, ’cause Friday will be fine |
| 41 | She’ll look up in that weathered face that loves her’s, line for line | 41 | She’ll look up in that weathered face that loves her’s, line for line |
| 42 | To see that maiden shining in his eyes | 42 | To see that maiden shining in his eyes |
| 43 | And laugh at how her mirror tells her lies. | 43 | And laugh at how her mirror tells her lies. |
| 44 | 44 | ||
| 45 | All lies | 45 | All lies |
| 46 | All those lines are telling wicked lies | 46 | All those lines are telling wicked lies |
| 47 | Lies all lies | 47 | Lies all lies |
| 48 | Too many lines there in that face | 48 | Too many lines there in that face |
| 49 | Too many to erase or disguise | 49 | Too many to erase or disguise |
| 50 | They must be telling lies | 50 | They must be telling lies |
| 51 | |||
| 52 | All those lines are telling wicked lies | ||
| 53 | Lies all lies | ||
| 54 | Too many lines there in that face | ||
| 55 | Too many to erase or disguise | ||
| 56 | They must be telling lies |